Box 3
Contains 26 Results:
Jane Olivor, Chasing rainbows, New York: Columbia (PC34917), 1977 - 1977
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Jane Olivor, Stay the night, New York: Columbia (PC35437), 1978 - 1978
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Jane Sapp, Take a look at my people, Chicago: Flying Fish Records (265), 1983 - 1983
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Michelle Shocked, Captain swing, New York: PolyGram Records (838878:1), 1989 - 1989
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Michelle Shocked, The Texas campfire tapes, New York: PolyGram Records (834581-1), 1986 - 1986
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Judy Small, Mothers, daughters, wives, Oakland, Calif.: Redwood Records (RR3100), 1984 - 1984
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Phoebe Snow, It looks like snow, New York: Columbia (34387), 1976 - 1976
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Phoebe Snow, Never letting go, New York: Columbia (JC34875), 1974 - 1974
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Phoebe Snow, Phoebe Snow, Los Angeles: Shelter Recording (MCA 37119), 1974 - 1974
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Phoebe Snow, Second childhood, New York: Columbia Records (PC33952), 1976 - 1976
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.