Box 3
Contains 26 Results:
Sweet Honey in the Rock, B'lieve I'll run on..., See what the end's gonna be, Ukiah, Calif.: Redwood Records (RR6500), 1978 - 1978
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Sweet Honey in the Rock, Sweet Honey in the Rock, Chicago: Flying Fish (FF022), 1976 - 1976
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Marcia Taylor, Tinder, Greenfield, Mass.: Rainbow Snake Records (RSR007), 1983 - 1983
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Linda Tillery, Linda Tillery, Los Angeles: Olivia Records (BLF917), 1977 - 1977
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Linda Tillery, Secrets, Berkeley, Calif.: 411 Records (BLF736), 1985 - 1985
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Lucie Blue Tremblay, Lucie Blue Tremblay, Oakland, Calif.: Olivia Records (LF947), 1986 - 1986
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Teresa Trull, Let it be known, Oakland, Calif.: Olivia Records (LF923), 1980 - 1980
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Teresa Trull, A step away, Oakland, Calif.: Redwood Records (RR412), 1986 - 1986
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Teresa Trull, The ways a woman can be, Oakland, Calif.: Olivia Records (LF910), 1977 - 1977
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Teresa Trull and Barbara Higbie, Unexpected, Oakland, Calif.: Second Wave Records, 1983 - 1983
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.