Box 1
Contains 29 Results:
Hazel Dickens, It's hard to tell the singer from the song, Cambridge, Mass.: Rounder Records (0226), 1987 - 1987
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Alix Dobkin, Lavender Jane loves women, Preston Hollow, N.Y.: Alix Dobkin Project 1, 1975 - 1975
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Alix Dobkin, These women never been better, Durham, N.C.: Ladyslipper Music (A005), 1986 - 1986
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Alix Dobkin, XxAlix, New York: Women's Wax Works (A003), 1980 - 1980
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Therese Edell, From women's faces, Cincinnati, Ohio: Sea Friends Records (SF545001), 1977 - 1977
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Ferron, Testimony, North Ferrisburg, Vt.: Philo Records (PH1074), 1981 - 1981
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Sue Fink, Big promise, Durham, N.C.: Ladyslipper Records (LR201), 1985 - 1985
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Robin Flower, More than friends, Woburn. Mass.: Spaniel Records (1916114), 1979 - 1979
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Tret Fure, Terminal hold, Oakland, Calif.: Second Wave Records (LP 22003), 1984 - 1984
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.