Box 1
Contains 29 Results:
Margie Adam, Here is a love song, Berkeley, Calif.: Pleiades (HB2750), 1983 - 1983
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Margie Adam, Margie Adam, songwriter, Berkeley, Calif.: Pleiades (HB2747), 1976 - 1976
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Margie Adam, Naked keys, Berkeley, Calif.: Pleiades Records (HB2748), 1980 - 1980
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Darol Anger/Barbara Higbie, Tideline, Stanford, Calif.: Windham Hill Records (WH-1021), 1982 - 1982
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Joan Armatrading, Joan Armatrading, Beverly Hills, Calif.: A & M Records (SP4588), 1976 - 1976
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Joan Armatrading, Show some emotion, Beverly Hills, Calif.: A & M Records (SP4663), 1977 - 1977
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Joan Armatrading, Whatever's for us, Beverly Hills, Calif.: A & M Records (0598), 1972 - 1972
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Sirani Avedis, Tattoos, Chicago: Terrapin Records (TR088), 1979 - 1979
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Heather Bishop, I love women, Woodmore, Man., Canada: Mother of Pearl Records (MP004), 1982 - 1982
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.
Heather Bishop, A taste of the blues, Winnipeg, Man., Canada: Mother of Pearl Records, Icebergg Records (ICE219), 1987 - 1987
The Nancy Levine women's music record albums are comprised of 83 record albums featuring female soloists and ensembles from the 1960s through the 1980s. The majority of the women musicians featured in the collection are lesbian or bisexual, or have been at one time in their lives. The nationality and ethnic makeup of the collection includes both black and white musicians, coming from the United States, primarily, as well as Canada and Australia.